James Stirling: tradition and evolution of the artisan model maker (1948-1992)

Abstract:

The representation of the architecture of James Stirling, a master in the use of graphic resources, is mainly characterized by the use of the fugal section and axonometric perspective. Consulting his documentary collection also confirms the existence of another recurring technique, although less known in his work: the construction of study models, which he used as spatial devices to help him better perceive the reality of the project. This text aims to carry out a chronological-evolutionary analysis of the implementation of this three-dimensional procedure in his professional work, from his first years of training to his association with Michael Wilford, stopping at those most representative models of each of his creative stages. The study will allow us to understand how, at the outset, the artisanal production of models was intrinsic and inseparable from their design work. After his international fame, participation in prestigious competitions, construction of large buildings and exhibitions of his work, would condition the execution of increasingly complex models. In the world of architecture, this procedure, together with the implementation of the newest and most effective 3D modeling technologies, irremediably led to the disappearance of the artisan model maker as a figure.

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