A Convergence of Traditions: Saint Lawrence Chapel, by Avanto Architects

Authors

DOI:

https://doi.org/10.4995/vlc.2017.3913

Keywords:

architectural competitions, modernity and representation, nordic architecture.

Abstract

Debates on the actuality of modern architecture by new contributions could be considered by critics as a deviation from its essence. In such a context, some works by Finnish studies exhibited at the Museum of Finnish Architecture in Spring, 2015 provide fresh approaches with their proposals and interest us here to reconsider architectural modernity with alterative readings. Project ideas are fused and converge towards new proposals in a process of continuity, from which only the concrete buildings experience, with enlightening phenomenal qualities, redeem us. We concentrate on a chapel by Avanto Architects in which interests from the second generation of modern architecture and the masters of Nordic Architecture can be appreciated.

Downloads

Download data is not yet available.

Author Biography

Antonio Millán-Gómez, Universitat Politecnica de Catalunya

Catedratico de representacion arquitectonica

Coordinador Programa de doctorado: Patrimonio y rehabilitacion de las construcciones existentes

References

Altés Bustelo, J. “La Casa con patio en Mies van der Rohe”. Proyecto, progreso, arquitectura, n. 8 (2013): 42-57.

Behne, A. Die Wiederkehr der Kunst. Leipzig: Kurt Wolff, 1919.

Carter, P. Mies van der Rohe trabajando. London: Phaidon Press, 2006.

Colomés Montañés, E. Material, espacio y color en Mies van der Rohe. Café Samt & Seide: Hacia una Propuesta Estructural. PhD Thesis Universidad Politécnica de Madrid, 2014.

Connah, R. “Persona obscura: releyendo a Reima Pietilä”. DPA, n. 26 (2010): 78-85.

Constant, C. The Woodland Cemetery: Toward a Spiritual Landscape. Stockholm: Byggförlaget, 1994.

Colquhoun, A. La arquitectura moderna, una historia desapasionada. Barcelona Gustavo Gili, 2002.

Drago, S.J. Vom Bau der Kirche. Formulazioni teoriche e strategie compositive di Rudolf Schwarz. PhD Thesis Universitat Politècnica de Catalunya, 2015.

Flora, N., Giardello P. and G. Postiglione. Sigurd Lewerentz 1885-1975. Milano: Electa Ed., 2001.

Gastón Guirao, C. Mies: el Proyecto como revelación del lugar. Barcelona: Fundación Caja de Arquitectos, 2005.

Frampton, K. Modern Architecture. A critical history. London: Thames and Hudson, 1985.

Gadamer, H.G. The Relevance of the Beautiful and Other Essays. Cambridge University Press, 1986.

Griffiths, G. “Finlandia: el sur y los símbolos de enculturación”. DPA, n. 26 (2010).

Helander, V. and S. Rista. Suomalainen Rakennustaide - Modern Architecture in Finland. Helsinki: Kiryjayhtymä, 1987.

Lizondo Sevilla, Laura, José Santatecla Fayos and Nuria Salvador Luján. “Mies in Brussels 1934. Synthesis of an Unbuilt Exhibition Architecture” VLC arquitectura. Research Journal, v. 3 n.1 (2016): 29-53.

Lledó Iñigo, E. El concepto poiesis en la filosofía griega. Madrid: CSIC, Instituto Luis Vives de Filosofia, 1961.

Lund, N.O. Nordic Architecture. Aarhus: The Danish Architectural Press, 2008.

Navarro Baldeweg, J. “El límite de los principios en la arquitectura de Mies van der Rohe”. In La habitación vacante. Valencia: Pre-textos; Girona: Col.legi d’Arquitectectes de Catalunya, 1999.

Neumeyer, F. La palabra sin artificio. Madrid: El Croquis, 1995.

Padovan, R. Towards universality. Le Corbusier, Mies and De Stijl. London: Routledge, 2002.

Pallasmaa, J. “Tradition and Modernity: The Feasibility of Regional Architecture in Postmodern Society”. In Encounters. Architectural Essays. Helsinki: Rakennustieto, 2012.

Palmer, H. “Suecia: las últimas iglesias”. DPA, n. 26 (2010).

Pommer, R. and Otto, C.F. Weisenhof 1927 and the Modern Movement in Architecture. Chicago/ Londres: University of Chicago Press, 1991.

Quantrill, M. Finnish Architecture and the Modernist Tradition. London: E& FN SPON, 1995.

Quetglas, J. Der Gläserne Schrecken. Imagenes del Pabellón de Alemania. Montréal: Les Éditions Section b, 1991.

Ricoeur, P. “Universal Civilization National Cultures”. In History and Truth. Evanston: Northwestern University Press, 1965.

Rubió i Tudurí, N. “Le pavillon d’Allemagne à l’Exposition de Barcelona”. Cahiers d’art, VIII-IX, 1929.

Schwarz, R. Vom Bau der Kirche. Heidelberg: Verlag Lambert Schneider, 1938.

Schulze, F. Mies van der Rohe. Una biografía crítica. Madrid: H. Blume & MOMA, 1986.

Schulze, F. and Windhorst, E. Ludwig Mies van der Rohe: Una biografía crítica. Barcelona: Ed. Reverté, 2017.

St. John Wilson, C. Sigurd Lewerentz 1885-1975. The dilemma of classicism. London: Architectural Associaton, 1989.

St. John Wilson, C. The Other tradition of modern architecture: the uncompleted Project. London: Academy Editions, 1995.

Downloads

Published

2017-10-24

Issue

Section

Research articles
Received 2015-05-25
Accepted 2017-07-12
Published 2017-10-24